Nischal Basnet’s ‘Dimaag Kharaab’ pulled from theatre

249
Dimag Kharaab
A scene from a song of Nischal Basnet's 'Dimag Kharaab'

In a shocking turn of events, Nischal Basnet’s highly anticipated film, “Dimaag Kharab,” has been abruptly pulled from theaters, sparking a bitter dispute between the filmmakers and cinema operators. 

The acclaimed director took to Facebook to share a press release, shedding light on the deep-seated issues that have plagued the Nepali film industry for far too long.

The press release, bearing the letterhead of Cinema Art Pvt Ltd, the production banner behind the film, accuses theater owners of consistently undermining Nepali filmmakers. 

Basnet expressed frustration over the preferential treatment given to international films by multiplexes and hall operators, citing a stark discrepancy in the number of shows allocated to Nepali versus foreign productions.

Furthermore, the press release highlights a glaring disparity in the revenue-sharing model. 

For the first two weeks of screening, the agreement stands at an even 50-50 split between film producers and theaters. 

However, from the third week onward, the balance tilts heavily in favor of the cinema operators, with a 35-65 distribution – a ratio that has irked the filmmakers.

Apologizing sincerely to the Nepali audience and fans for the inconvenience caused, the press release declares a decisive move against this perceived injustice. 

Basnet and his team have vowed to halt the screening of Nepali films until a fair and equitable distribution of shows is established, mirroring the treatment afforded to international counterparts.

The filmmakers demand a 50-50 revenue-sharing model throughout the entire screening period. The press release concludes by stating that if their demands are met, the theatrical release of “Dimaag Kharab” will resume; otherwise, they are prepared to explore alternative platforms to bring their creation to the audience.

Nepali cinema stands at a crossroads as Nischal Basnet and Cinema Art Pvt Ltd spearhead a battle for equality in the treatment of homemade films, challenging the status quo and demanding a fair share for their creative endeavors.